Today, Australian, psych-rock luminaries Stonefield, have announced their new album, BENT (out June 14 via Flightless Records). Produced by Joe Walker and Stu Mackenzie of King Gizzard and the Lizard Wizard, the album was recorded in-between tours, in just five days. Written largely on the road, the songs on BENT are filled with reference and reflection–the kind that comes from months spent far from home, living on four wheels. The surreal isolation of trudging through white-out snow and snaking down deserted highways served as the perfect backdrop for the band to look inward. “It’s a culmination of experiences, emotions, and stories collected over time,” explains lead singer and drummer Amy Findlay, “A growth of honest, raw, energy that has been burning within us and waiting for its moment.”The first single, “Sleep” opens the album with guitars covered in five inches of sludge and distortion and something that sounds like a far-off siren, or the high-pitched howling of the wind. It serves as a warning, a call to arms, kicking things off with a next-level version of the massive, unholy racket the band has become known for over the course of their last three albums. “ ‘Sleep’ was inspired by the concept of floating in the in-between,” explains Findlay, “An ode to the darkness of not wanting to cross to the other side.”
Stonefield have just landed in Belgium to kick off their biggest tour yet TICKETS HERE
| From practicing in their family shed as teenagers in rural Australia, to touring the world with Fleetwood Mac, Black Rebel Motorcycle Club, King Tuff, and King Gizzard, it’s been a strange trip for the four Findlay sisters. As Stonefield, they’ve got three albums and thousands of miles under their belts, plus plenty of perspective on what it’s like to fight to make a place for themselves, and tell their own story. |
Recorded in just five days with Joe Walker and Stu Mackenzie from
King Gizzard at their studio in Melbourne, the album is almost 100% live. Besides being an impressive feat and the flexing of a confident band operating at the height of their powers, that immediacy lends the album a distinct, crackling energy–thunder, lightning, and muscle-bound horsepower. “Sleep” opens the album with guitars covered in five inches of sludge and distortion and something that sounds like a far-off siren, or the high-pitched howling of the wind. It serves as a warning, a call to arms, kicking things off with a next-level version of the massive, unholy racket the band has become known for over the course of their last three albums.
“The album is about our own experiences and stories,” explains Amy, “Songs about the fear of walking home alone at night, stories of what it’s like being an all-female band and the power of supporting one another.” With that being the lyrical subject, the music that came out is definitely our heaviest.” It’s clear that darker thoughts were on the Findlay sisters’ mind–
BENT has all the chills and spills you would expect from an album that mines inspiration from some of the darker experiences of being misrepresented, belittled, and underestimated. By taking control of the narrative, and pumping it up with stack-blowing, guitar hero riffs and razor-edged vocals, it becomes an album of power, control, and confidence–projected in
the face of a world that too often forces the opposite.
Amy Findlay | Drums/Vocals
Hannah Findlay | Guitar
Sarah Findlay | Keys
Holly Findlay | Bass
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